The Summer That Melted Everything by Tiffany McDaniel

“You can tell a lot about a man by what he does with a snake.”

Fielding Bliss looks back on the life-altering summer of 1984, when his father invited the devil to their hometown of Breathed, Ohio. The invitation is accepted by Sal, a thirteen-year-old black boy who claims to be the devil. After his arrival, an overbearing heat descends upon Breathed and tragic events begin to occur with frequency. The townspeople fixate on Sal and view him with suspicion. Is Sal actually the devil or just a runaway? Elohim, a neighbor who is friendly with Fielding, immediately dislikes Sal and seizes on the opportunity to focus the town’s rage against him. While the community’s lashes out at Sal, trouble is also brewing inside the Bliss home.

“No one wants to say one word and then realize it means so many more.”

I practically ran to Netgalley the moment I read the summary! The Summer That Melted Everything is such a unique book. The synopsis above barely scratches the surface of what this book is about. It has a whimsical, magical feel, but it’s also very dark. Atmospherically, it reminds me of Big Fish (movie), Beasts of Southern Wild (movie) and The New and Improved Romie Futch. Romie Futch is described as a “Southern Gothic tall tale”; I’m not sure if Ohio counts as the South, but I think that label fits this book too! The writing is impressive. It addresses heavy themes such as racism, homophobia, AIDS hysteria, and domestic violence, but it never felt heavy-handed. Each chapter begins with an epigraph from Paradise Lost by John Milton, which helps sets the mood. Every word and name feels intentionally chosen and the story is well-constructed. The story is told by 84-year-old Fielding Bliss, primarily in flashbacks. He is consumed by guilt and regret, so we know this story probably doesn’t have a happy ending. How did the caring thirteen-year-old we meet in the flashbacks turn into this self-destructive old man? He was so close with his family during the summer of 1984, so why does it seem that he lost all contact with them?

Cowardice is always too late to the fact that bravery has the better chance. Our better chance could’ve been understanding. It could’ve been soaring from that which has too long been believed to be a sin. And yet it’s far too easy to be the coward when it requires nothing more than a lie.

The book is filled with peculiar and interesting characters. Fielding’s father Autopsy Bliss reminded me of Atticus Finch (TKAM). He’s a fair-minded man who welcomes Sal into his home with open arms, despite the growing concerns of the community. Stella Bliss, Fielding’s mother, won’t step out of the house out of fear of the rain. Instead of leaving the house to travel, she decorates each room of her house as a different country. Fielding idolizes his older brother Grand, a high school baseball player whose reputation fits his name. Fedelia Bliss, their aunt, wears ribbons in her hair as a reminder of each of her husband’s betrayals. Sal quickly bonds with the Bliss family and becomes especially close with Fielding. He’s thirteen, but he speaks in parables. He seems much wiser than his years, but he’s also seen more than any child should have to. These are just the people inside the Bliss household. There are so many more memorable major and minor characters.

“What these poor souls were desperate for was a light. But the thing about light is it all looks the same when you’re in the dark, so you can’t tell if what powers that light is good or if it is bad, because the light blinds you to the source of its power. All you know is that it saves you from the darkness … They reached for that brightness, and while the light distracted them, while it comforted them in its false rescue, the dark power behind it did its work, and before any of them knew it, they were not being saved by the light, they were being changed by it.”

This book illustrates mob mentality. A charismatic leader whips people into a frenzy and the townspeople easily rationalize their atrocious behavior. There are hints of the terrible events to come, but it begins with disturbing rhetoric. Over the summer, the situation slowly escalates to horrifying proportions. When the people of Breathed find a “monster” to pin blame on, they become blind to their own monstrous behavior. Many of the strange events attributed to Sal were actually caused by the townspeople. “Sometimes the things we believe we hear are really just our own shifting needs.” The “devils” in Breathed aren’t the ones who you would expect. They are neighbors and friends. There were no visual markers or previous indications of the evil they were capable of. I recently read an interview with a man talking about his professional colleagues. I can’t remember the exact quote or numbers, but it was something like ≈10% were consistently bad, ≈10% were consistently good, and the behavior of the other ≈80% depended on who they worked with that day. Many of the citizens of Breathed reminded me of that 80%. This book makes it clear how easy it is to be led astray by blind certainty or a trusted individual.  Even the character with the purest heart had moments where they were certain and proven wrong after it was too late.

“When glass is whole, it’s good. When it’s broken, it’s bad. It’s swept up. It’s thrown away. Sometimes thrown away too soon. Think of a window, Sal said. Imagine a violence breaking that window. All those shards of broken glass fall to the floor. The violence is inside the house now, wrestling you. It could kill you, so you grab one of the shards and stab. The violence dies and you are saved. Saved by the broken glass. Isn’t that a funny thing? To be saved by the bad. Sometimes, not sweeping that bad up and throwing it away will save you in the end. It just might. So to defend the devil means defending the good of the bad. That’s what I was doing, Fielding. Hoping that all those folks are just shards of broken glass and one day in the future, they’ll save someone by being just that.”

The events at the end were so horrifying that it did make it difficult for me to put on my grey-tinted glasses. However, when I go back to “You can tell a lot about a man by what he does with a snake” and the context, I understand why the story went the direction it did. I also have a personal issue where stories with allegorical characters make me hyper-aware that I’m in the middle of a story, so I am not 100% invested in the character’s fates. Even though I didn’t feel as ripped apart by tragedy as I probably should have, I did feel deeply for these characters. It felt like a gut punch when Fielding uttered the one word to his brother that changed their relationship forever. When the Bliss family hit their lowest point, my heart broke. Sal’s stories are so beautifully told that they bring tears to my eyes. (Without giving anything away, the stories about the fall and the rope really stick out in my mind.)

“Isn’t it time we put the shovels down instead of digging more holes? The more holes we dig … the less solid ground any of us will have to stand on.”

I would love to  go on and on about my favorite parts, but it’s best to experience it for yourself! This book’s message will always be relevant. Part of what makes it terrifying is that the events are so recognizable. It’s been hard for me to watch the news lately without thinking about Sal and Breathed, Ohio.  There is so much in this book that it is impossible to unpack it all in just one read. The first read is really good, but it will definitely reward a reread. The Summer That Melted Everything is a deeply-affecting book that will provoke much discussion. Highly recommended!
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Quotes I was reminded of while reading:
Batman v Superman: Dawn of Justice 
Bruce Wayne: We’re criminals, Alfred. We’ve always been criminals. Nothing’s changed.
Alfred: Oh, yes it has, sir. Everything’s changed. Men fall from the sky, the gods hurl thunderbolts, innocents die. That’s how it starts, sir. The fever, the rage, the feeling of powerlessness that turns good men… cruel.

Unfair: The New Science of Criminal Injustice by Adam Benforado 
Doubt isn’t the enemy of blind justice–blind certainty is.

The Sunlight Pilgrims by Jenni Fagan

3.5 Stars. Three people living their day-to-day lives in a time of great upheaval. 5-star character/setting & beautiful writing, but I was at a 2-star level of engagement. It was slow moving and not much happened. That isn’t always a deal-breaker for me, but I just didn’t click with this book.

All the villagers look worried and that is the worst thing. Before it was just poverty, pestilence, terrorists, pedophiles, drugs, eating disorders, online grooming, meteors skimming a bit too close for comfort. Now every single person in this hall looks like they are terrified they’re all about to become frozen corpses. For the first time since the news broke, Stella gets this stabbing feeling in her heart that must be some new kind of fear. [Stella]

It’s November 2020 and a terrible cold is descending upon the globe, the worst winter on record. Dylan MacRae is grieving the recent loss of his mother and grandmother, as well as his home and livelihood. On the way to burying his mother’s and grandmother’s ashes, he stops in a caravan park where his mother frequently stayed. The caravan is next-door to Constance and her twelve-year-old daughter Stella. Dylan is instantly attracted to Constance and he becomes close friends with her daughter. Spending time with is neighbors makes him realize that he has spent his life existing rather than living. While going through his mother’s belongings, he learns a devastating secret that connects him to Constance and Stella in unexpected ways.

Something in him comes from this rock, these mountains, this landscape, something older than time and generational — all those links to people who survived this place and thrived and lived, all those suicidal monks and one lone sunlight pilgrim, butt-naked and tough as hell. [Dylan]

I’ve been reading so many cold weather books lately! The entire story takes place during the winter of 2020-2021. It’s divided into four parts and the temperature plummets to dangerous levels as the months pass. The characters live in a caravan park in the Scottish village of Clachan Falls. I enjoyed the unique little village and its eccentric inhabitants. It was like a bleak Stars Hollow! The writing is poetic and there’s is an urgent, exuberant quality to it that made me feel wonderment for nature. There are no quotation marks; the dialogue is differentiated with dashes. I didn’t have trouble following the conversations like I have with some novels with unique punctuation usage (See: All Things Cease to Appear). The story alternates between the perspectives of Dylan and Stella. Constance is also a central character, but we only view her through the eyes of Dylan and Stella. 

All their robot children like their knobs and buttons shiny and silver and none of them understand what a real robot has to withstand, if they are to have so much rust but still be able to run as fast as the others on sports day or sing as loud at Christmas. The carols! ‘Little Donkey’, the verse about Mary carrying the heavy load, it always makes her cry. [Stella]

I had to force myself through Dylan’s chapters, but I did love his relationship with Stella. Stella is my favorite part book and I was most engaged during her coming-of-age sections. She is mature, self-assured, and has a great sense of humor. She came out as transgender thirteen months before the book starts. Her father refuses to acknowledge her transition and she is bullied by the kids at school. She also worries about her mother and thinks Constance deserves much better than the men she chooses.

There are interesting parallels drawn with the intensifying weather and Stella’s rapidly changing situation. While the climate is going through an intense change and a glacier creeps its way to the shores of her community, Stella’s starts going through puberty. She wants to take hormone pills, but dangerous weather and the attitudes of others are a huge roadblock. There are also tie-ins with the past coming to roost in the present: the light from stars, a glacier from a million years ago bringing a winter (“If the world has fifteen million years of frozen geology there and it can enter the present and melt and bring forth another Ice Age…”), and Constance’s conversation with Stella about embryos following a female blueprint for the first ten weeks.

Stella is like the wind outside and Constance is the fire. The wind is gentle, blowing lightly to brighten the flames, to stop the fire going out. [Dylan]

Constance is a survivalist. I admired her resourcefulness and determination.“Luck and tenacity are her only employer.” She is Stella’s biggest advocate and her biggest fear is not being able to protect Stella in a cruel and unforgiving world. Constance has two lovers and the community judges her for it, though her lovers escape the same judgment. Constance knows what she wants. She doesn’t hide who she is and she doesn’t care what anyone thinks.

Stella tugs the wolf-head until the ears sit perfectly; two long furry arms snake down on either side of her braids and the fur is white, like the wolf walked right out of the snow — like winter herself created it from particles of ice and dust and sent it out to find a mortal girl who isn’t afraid of the big bad wolf, who knows how to use an axe and stir her own porridge, who knows that worth isn’t something you let another person set for you, it is something you set for yourself. [Stella]

Now for what I didn’t like! The story moved at a glacial pace and I wasn’t engaged in the story as a whole. I don’t always dislike slow-moving. character-driven books. A few things happened here:
(1) While I understand the comparisons to Station Eleven, those comparisons also had me expecting a little more plot.
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(3) I kept feeling teased with action (using the word ‘action’ lightly here). Anytime something interesting happened or I felt the tension build, the scene would cut and we would move forward in time. The parts I was most interested in happened offstage. It drew attention to how little was actually happening outside of the character’s thoughts and I lost patience. The characters do experience growth, but it was so gradual that it felt like nothing was happening.

Despite my reservations about the rest of the book. I thought the ending was appropriate. It’s possible I assumed too much about what happened. It was very abrupt. I would have LOVED an epilogue that mirrored the beautifully-written prologue!

All those little lies, left unsaid, in families; all the things that then become unsayable.
The selfish dead fuck off and leave us with half-truths and questions and random relations and bankruptcy and debt and bad hearts and questionable genetics and stupid habits and DNA codes for diseases and they never mention all the things that are coming — like a fight at a wedding, it just breaks out one day. [Dylan]

In conclusion: I was disinterested for the most part, but I loved Stella and the setting enough to keep reading. I think the same part of me that had difficulty appreciating Fates & Furies (especially Lotto’s section) had difficulty getting into The Sunlight Pilgrims. It was one of those “It’s not you, it’s me!” books. It’s receiving very high ratings from many respected reviewers. If you are looking for a quiet literary book with interesting characters and an immersive setting, this book may be for you. Here is a list of books I thought of while reading:

• Becoming Nicole: True story about a transgender girl and her family. Stella’s experience mirrors Nicole’s in many ways.
• The Dog Stars: Surviving in a post-apocalyptic world, grief, coping, global catastrophe not the main point.
• The Quality of Silence: Set in the modern world and plot-driven, but interesting mother/daughter relationship and Arctic setting. 10-year-old deaf girl experiences bullying because of her differences.
• Good Morning, Midnight : I’m about 75% through this one right now. It shares many qualities with The Sunlight Pilgrims: Quiet, character-driven novel, post-apocalyptic, surviving in freezing temperatures (Antarctica), the global catastrophe takes a backseat to internal struggles, etc. Oddly enough, the things I didn’t like in The Sunlight Pilgrims, I am loving in this Good Morning, Midnight!

Stella holds the clear tusk out in front of her — puts it up to her head as if she is the unicorn — she spins around, holding the icicle out in front of her as a spear- – jabbing it into air to show the spirit plane that she is her mother’s daughter — that the child of a wolf may not feel like she has fangs until she finds herself facing the moon, but they are still there the whole time regardless.